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WWE 1CD 60017
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Robert Schumann
Carnaval & Klavierkonzert
1
Carnaval op. 9 - Preambule 02:18
2
- Pierrot 01:56
3
- Arlequin 01:06
4
- Valse noble 02:10
5
- Eusebius 02:05
6
- Florestan 01:02
7
- Coquette 01:44
8
- Replique 00:54
9
- Sphinxes 00:34
10
- Papillons 00:43
11
- A.S.C.H. - S.C.H.A. 01:04
12
- Chiarina 01:32
13
- Chopin 01:10
14
- Estrella 00:27
15
- Reconnaissance 01:34
16
- Pantalon et Colombine 01:02
17
- Valse allemande / Intermezzo: Paganini 01:59
18
- Aveu 01:14
19
- Promenade 02:21
20
- Pause / Marche des Davidsbündler contre les Philistins 04:09
21
- Allegro affettuoso 14:55
22
- Intermezzo 05:21
23
- Allegro vivace 11:23
Total Time 01:02:43
Carnaval & Klavierkonzert 9,99 €  |  download
01 Carnaval op. 9 – Preambule 02:56
02 Carnaval op. 9 - Pierrot 02:34
03 Carnaval op. 9 - Arlequin 01:44
04 Carnaval op. 9 - Valse noble 02:48
05 Carnaval op. 9 - Eusebius 02:43
06 Carnaval op. 9 - Florestan 01:40
07 Carnaval op. 9 - Coquette 02:22
08 Carnaval op. 9 - Replique 01:32
09 Carnaval op. 9 - Sphinxes 01:12
10 Carnaval op. 9 - Papillons 01:21
11 Carnaval op. 9 - A.S.C.H. - S.C.H.A. 01:43
12 Carnaval op. 9 - Chiarina 02:10
13 Carnaval op. 9 - Chopin 01:48
14 Carnaval op. 9 - Estrella 01:05
15 Carnaval op. 9 - Reconnaissance 02:12
16 Carnaval op. 9 - Pantalon et Colombine 01:40
17 Carnaval op. 9 - Valse allemande / Intermezzo: Paganini 02:37
18 Carnaval op. 9 - Aveu 01:52
19 Carnaval op. 9 - Promenade 02:59
20 Carnaval op. 9 - Pause / Marche des Davidsbündler contre les Philistins 04:47
22 Carnaval op. 9 - Intermezzo 05:59
23 Carnaval op. 9 - Allegro vivace 12:00
The piano was an essential tool for Robert Schumann, both in his work as a composer and in his theoretical reflections. The continuing technical improvement of the instrument, e. g. through the expansion of its tonal and dynamic range, enhanced the available means of expression, and Schumann knew how to use them in practice and in theory. His composition Carnaval illustrates his skill particularly well: In spite of the strict conceptual approach, i. e. the use of notes as letters (described by Giacomo Fornari in the booklet), the music in these pieces on the subject of the carnival appears colorful, lively and relaxed. In his interpretation Davide Cabassi demonstrates the rare ability to perfectly link and refine these two levels.
In the second composition, the Piano Concerto, Cabassi excels not only as a soloist but also in sensitive and competent ensemble playing with the Haydn Orchestra of Bolzano and Trento under Maestro Gustav Kuhn’s direction. So these two well-known works by Robert Schumann reveal the secret that good music needs both: heart and reason.
Davide Cabassi, piano
Haydn Orchester von Bozen und Trient
Gustav Kuhn, Dirigent

with a text by Giacomo Fornari

Recording Date / Recording Location

Carnaval October 15, 2010 / Bartok Studio, Bernareggio (I)
Klavierkonzert May 05, 2008 / Auditorium Haydn, Bolzano (I)
Recording Producer and Sound Engineer Raffaele Cacciola (Carnaval), Reinhard Geller (Klavierkonzert)
Mastering Reinhard Geller
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