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Price: € 16.00
WWE 1CD 20294
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Wolfgang Mitterer
massacre
1
A- TREASON 04:51
4
- THE PLOT 01:00
8
- a sudden bang 00:57
14
B - KILLING 1 00:51
15
- kiss this 00:50
23
- i have my will 02:35
24
- Clean Water 01:35
28
- disaster! 01:51
29
- for i rule france 00:45
30
C - DAMNATION OF D 00:43
31
- mort dieu! 00:56
32
- mort dieu! fly my presence 02:41
42
- i have my will 01:22
48
- son i curse you 03:03
Total Time 01:12:57
massacre 9,99 €  |  download
01 A - TREASON 01:08
02 A - my brain turns upside down 03:07
03 A – revenge 00:54
04 A - THE PLOT 01:29
05 A - A SUDDEN BANG 01:09
06 A - my sight 01:25
07 A - WHAT TIMES ARE THESE 01:10
08 A - a sudden bang 01:26
09 A - spem in alium 01:59
10 A - THE ORDER 01:46
11 A – ahead! 01:19
12 A - SWEAR AND EXECUTE 00:37
13 A - that like i best 01:41
14 B - KILLING 1 01:08
15 B - kiss this 00:54
16 B - kiss the cross of rome 02:01
17 B - MY HEART DOTH PLEAD 02:13
18 B - forbidden me 02:45
19 B - so either 01:00
20 B - KILLING 2 00:47
21 B – pig 00:49
22 B - let non escape! 01:55
23 B - i have my will 01:57
24 B - CLEAN WATER 02:05
25 B - it will corrupt the water 00:53
26 B – displaced 01:39
27 B – LAMENTATIO 02:39
28 B – disaster! 02:09
29 B - for i rule france 01:35
30 C - DAMNATION OF D 01:49
31 C - mort dieu! 01:11
32 C - mort dieu! fly my presence 00:59
33 C - wait for 02:14
34 C – bomb 01:23
35 C - THE FALL 00:54
36 C – dispatched 00:55
37 C - i have my will! 00:40
38 C - i faint 01:07
39 C – TRIAL 00:58
40 C - my deads 01:37
41 C – farewell 01:11
42 C - i have my will! 01:01
43 C – SORROW 01:37
44 C - falsche welt dir trau ich nicht 02:08
45 C - ALL GOES TO WRECK 01:47
46 C - this night 01:04
47 C – go! 01:48
48 C - son i curse you 01:42
49 C – CODA 04:55
Based on Christopher Marlowe’s drama »The massacre at Paris«, Wolfgang Mitterer paints an acoustic picture of destruction, conspiracy and the thrill of power. His protagonists virtually rid themselves of their identities, turning into typological representations of different points of view. The concrete electronic sounds used by the composer throughout the score as realistic sprinklings push aside the historical dimension and fragment the chronology of the narrative. The ensemble follows the score, which uses a graphical notation so as to leave the musicians room to find their own expression. A highly intense experience!

»Mitterer belongs to the long line of composers for whom music is not transcendental, whose music neither knows, nor searches for, the prophetic hereafter of eternal joy. His music plays on this side of heaven, in the run of the mill, resounding in the deaf stone of the earth, there where – putting an end to divine judgement – “there is a stink of being” in the words of Antonin Artaud.« (quote from the booklet by Stéphan Roth)

Recommendation
A new lieder cycle for baritone, prepared piano and electronics – with Georg Nigl and Wolfgang Mitterer himself passionately operating his keys and computer controls. 
Good news from your mailbox! Mitterer makes music on the subject of ambient in an electronic environment. Two amazing CDs with radical backgrounds. 
What a cheek! So Wolfgang Mitterer can do that, too: and writing a children’s opera really is no picnic, with or without jam. (Or flies.) 
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