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WWE 1CD 20211
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Wolfgang Rihm
String Quartets Vol.1
1
String Quartet No. 1 op. 2 08:25
2
String Quartet No. 2 op. 10 08:40
3
String Quartet No. 3 >>Im Innersten<< I 02:03
4
String Quartet No. 3 >>Im Innersten<< II 03:49
5
String Quartet No. 3 >>Im Innersten<< III 02:00
6
String Quartet No. 3 >>Im Innersten<< IV 04:34
7
String Quartet No. 3 >>Im Innersten<< V 04:20
8
String Quartet No. 3 >>Im Innersten<< VI 09:25
9
String Quartet No. 4 I - agitato, allegro alla marcia, allegro ma non troppo 06:05
10
- II - con moto, allegro, andante, allegro molto 06:51
11
- III - adagio 06:30
Total Time 01:02:42
String Quartets Vol.1 9,99 €  |  download
01 String Quartet No. 1 op. 2 08:37
02 String Quartet No. 2 op. 10 08:55
03 String Quartet No. 3 >>Im Innersten<< I 02:08
04 String Quartet No. 3 >>Im Innersten<< II 03:55
05 String Quartet No. 3 >>Im Innersten<< III 02:05
06 String Quartet No. 3 >>Im Innersten<< IV 04:39
07 String Quartet No. 3 >>Im Innersten<< V 04:26
08 String Quartet No. 3 >>Im Innersten<< VI 09:39
09 String Quartet No. 4 I - agitato, allegro alla marcia, allegro ma non troppo 06:11
10 String Quartet No. 4 I - II - con moto, allegro, andante, allegro molto 06:56
11 String Quartet No. 4 I - III - adagio 06:35
“This CD with the first four string quartets reflects the interesting path of Rihm’s artistic development. The Minguet Quartet approaches the first two, shorter, works with audibly high concentration without relinquishing, in the frenzy of high-energy playing, their own cultivated sound born from quartet tradition. Here, Rihm’s third quartet, with its not unproblematic subtitle ‘Im Innersten’ (‘at the innermost core’), does not become self-indulgent navel-gazing, the display of sounding extremity. Here, music is made finely calibrated and with a very open ear for subtle nuances – not to forget crystal-clear intonation. The aspects of this music, i.e. its expressive force, its scintillating and incisive brightness, its shadowlike opacity, but also its yearning for romantic transfiguration or its deathlike silence – none of these ever become presumptuous or obtrusive. The listener is left to himself and can, so to speak, observe the baring of Rihm’s musical self from a distance.” Klassik Heute, September, 2003
Recommendation
In his Dis-Kontur and Sub-Kontur, the young Rihm strongly revolted against the emotional coolness he en-countered in the style of the musical avant-garde. 
Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your convenience – including a first recording! 
“The attentive listener is led ad Rihm per Minguet Quartett. Rihm finds reliable interpreters in these references recordings.” (NMZ) 
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