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WWE 1CD 20402
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Ruedi Häusermann
Wetterminiaturen
1
Kurzer, aber trotzdem sehr lustiger Einklang 03:33
2
Kern der Sache 03:40
3
Senkblei, Privaterklärung 04:58
4
Sog.wohlpräperiert 04:24
5
Lento Schubkraft 07:25
6
Einläutung 06:56
7
Jeder ruhende Gegenstand drückt - Pat.angem. 04:47
8
Diese Radgeschichte 07:35
9
Schwank 02:16
10
Zur Unwucht 05:35
11
Der Künstler weiß das wohl 07:30
12
Kurzer, aber trotzdem sehr lustiger Ausklang 01:14
13
DoReMi (Bonustrack) 02:33
Total Time 01:02:26
Wetterminiaturen 9,99 €  |  download
01 Kurzer, aber trotzdem sehr lustiger Einklang 03:36
02 Kern der Sache 03:43
03 Senkblei, Privaterklärung 05:02
04 Sog.wohlpräperiert 04:28
05 Lento Schubkraft 07:28
06 Einläutung 06:59
07 Jeder ruhende Gegenstand drückt – Pat.angem. 04:50
08 Diese Radgeschichte 07:38
09 Schwank 02:20
10 Zur Unwucht 05:38
11 Der Künstler weiß das wohl 07:33
12 Kurzer, aber trotzdem sehr lustiger Ausklang 01:18
13 DoReMi (Bonustrack) 02:36
Weather: perceptible state of the atmosphere of short duration. Motion
Ruedi Häusermann’s compositions melodies surface to be swallowed again, a breeze rises and gets lost in sounds, impulses, thunderstorms; melodies are created, are allowed to happen, and you find yourself listening raptly to their dis- integration. For building his worlds of sound the Swiss composer and theater maker has collaborated with the piano. He decided that this polyphonic instrument with its usually clearly defined tone and set ways of being played should be put on wheels so as to be moved about and enacted. Like in a string quartet, he assigns just one voice to each of the four pianos, while modifying their structural sound qualities by way of physical manipulations of the instruments’ mechanism. A challenge for the pianists!


The result are de-sentimentalized pieces full of a rugged charm, fascinating us by their musicality, their humor, the variety of sounds and tones, and their intelligence. And everything remains in motion all the time – like the weather.

Music composed by Ruedi Häusermann in connection with the theater project “GANG ZUM PATENTAMT” (Walk to the Patent Office), which was produced by HAU/Hebbel-am-Ufer Berlin (directed by: Matthias Lilienthal) and co-produced by Wiener Festwochen and KlangKunstBühne der Universität der Künste Berlin (artistic direction: Daniel Ott) and realized in collaboration with Kulturkontakte e.v. Sponsored by Kulturstiftung des Bundes. The composition was commissioned by Pro Helvetia, Schweizer Kulturstiftung.
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