|
|
 |
| Journal Archive |
| col legno with 2 nominees! |
|
| Two nominees for ICMA Award 2014 |
|
 |
|
Sciarrino’s interpretation of Macbeth was performed in 2011 at Salzburg Festival within the "Kontinent" concert series and was released as a festival audio document in 2012.
The Guardian says: "The elusive soundworld, often on the edge of audibility, is instantly recognisable as Sciarrino’s, a wonderfully consistent and compellingly obsessive creation that retains the power to shock and surprise."
|
|
|
|
 |
|
As a commission by the Ernst von Siemens Music Foundation, French composer Pascal Dusapin created a song cycle for his friend Georg Nigl, based on texts by Friedrich Nietzsche. The close collaboration of the two artists gave rise not just to a work for Georg Nigl’s voice per se but rather for his singing corpus, for his voice upon the stage.
Wiener Zeitung writes:
"The composer uses a striking musical language, perfectly reflecting any emotion possible. Georg Nigls flexible baritone touches in all fibres of the incredible texts - also in the upper tenor range, the voice sounds comfortably native."
-> to the CD with infos and sound samples
|
|
|
|
|
|
|
A dialogue with the spirit and in the spirit of Schubert. The complete song cycle in the version by Franui and Florian Boesch – THE CD  |
|
|
|
|
|
| A dialogue with the spirit and in the spirit of Schubert. The complete song cycle in the version by Franui and Florian Boesch – THE DOUBLE VINYL ALBUM |
|
|
|
|
|
| The Slovenian composer, recipient of the Erste Bank Composition Prize, merges natural processes and personal life events into mysterious music. |
|
|
|
|
|
| Cello, tape, cassette recorder: Music in search of resonance in a changing world. |
|
|
|
|
|
| Music for Ceremonial Processions – a Living Sound Document from East Tyrol |
|
|
|
|
|
| Memoriam. Music as a language of remembrance, of reflection, of echoes. |
|
|
