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The Present, Ex Utero |
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| Ex Utero is the debut album the Berlin-based solo voice ensemble The Present. A contemporary Marian Vespers that celebrates birth and life. And here's to you, Maria! |
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Karlheinz Essl & Wolfgang Kogert: ORGANO/LOGICS |
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The album contains the entire organ works by Karlheinz Essl, composed be- tween 1986 and 2021 and recorded by Wolfgang Kogert on the Kuhn-organ of the Hofburg Chapel in Vienna. More about here.
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Les Espace Électroacoustiques III |
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The adventure is going on! Selected pieces of live electronic music practices since the emerging of digital technologies, from 1986 to 2007.
More about here. |
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Lukas Lauermann: Interploitation |
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The cellist Lukas Lauermann intervenes in his own recordings and creates from it new pieces.
Find out more. |
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Josef Novotny & Peter Herbert: prolifics |
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| Josef Novotny & Peter Herbert as a duo for the first time. In "prolifics" precision meets improvisation. |
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Trio MIT: Breezes from here and there |
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The melodies of Trio MIT stands in the old tradition of oriental storytelling: it seems like traveling into the vastness of fantasie. Orient meets occident: music as vehicle for exchange and cultural dialouge.
Find out more. |
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m o s: mnemonic |
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Drawing influences from minimalist and improvised music,
m o s fuses spontaneous interplay with meticulous structures.
More informations here. |
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Vélvez: I will never die |
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The debut album "I will never die" by Vélvez is music manifesting the feeling of being on the way, music in a limbo between ecstasy and melancholy and the permanent desire to discover something new.
More informations here.
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Matthias Jakisic: Fragmente |
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Matthias Jakisic’s "Fragmente" is an original vision of what classical string quartets in the 21st century might sound like.
More informations here. |
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Wolfgang Puschnig/Pentaklang Ensemble: Present Memories |
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"Present Memories" (Wolfgang Puschnig/Pentaklang Ensemble) is a subtile composted collection of chamber music pieces for woodwind.
Find the Album right here.
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Wolfgang Mitterer: Phantom |
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A dream that turns into a nightmare: Wolfgang Mitterer’s setting of the silent film classic »Phantom« by Friedrich Wilhelm Murnau. With Phace - Ensemble for new music conducted by Lars Mlekusch.
Find the Album right here. |
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Juliana Hodkinson: Angel View |
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Angel View is an assemblage of urban and musical debris, somewhere between a wordless live radio play, enacted film soundtrack and instrumental theatre.
Find the Album right here. |
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Mathias Monrad Møller: The Best Version of Myself |
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An original portrait album of the singer and composer Mathias Monrad Møller with soloist ensemble PHØNIX16, Sebastian Berweck, Carola Schaal and The Norwegian Radio Orchestra.
Find the album right here. |
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Hélène Pereira: Axis Mundi |
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| Hélène Pereira’s latest recording »Axis Mundi« presents works for “extended” piano - where the performer adopts atypical piano setups to create a new piano sound - with compositions by the likes of Isotta Trastevere, François Rossé, Philippe Festou, Jean-Claude Risset, John Cage, Mayu Hirano and Ivan Solano. Find the album right here. |
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Matthias Muche: Bonecrusher |
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In his new solo project "Bonecrusher", WDR Jazz Prize Winner Matthias Muche uses a wide variety of playing setups: feeds of speech and soundscapes into and on the trombone, spatial expansion using external bells, interactive computer graphics as synaesthetic perception, or simply the pure, naked trombone. Find the album right here. |
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Wolfgang Mitterer: temp tracks |
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Wolfgang Mitterer is much in demand as a composer of operas, concertos, film scores, and theater music (including music for the Salzburg Festival’s Jedermann), for which he has been commissioned by renowned orchestras, ensembles, and opera houses around the world. Here the two-time recipient of the Austrian Film Music Award is releasing terrific “temp tracks”, which is music that serves as the preliminary soundtrack to film sequences until the ‘proper’ music arrives. Find the album right here. |
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Xiaoyong Chen: Qian & Yan |
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Xiaoyong Chen’s compositions are, in a manner of speaking, “west- eastern travelling parties”: to the classical inventory of European instruments, he introduces the sounds of Chinese instruments that have several thousands of years of history to them. As part of this process, Chen asks: “Will the art of the future be based on tradition?”, only to add, matter-of-factly: “If so, why?” Find the album right here. |
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Christoph Zimper - The Millennials Mass |
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| The fascinating debut album by the Austrian composer and clarinetist Christoph Zimper, supported by top-class artists such as the Eggner Trio and the Plattform K+K Vienna: emergent, profound and exciting! Find the album right here. |
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Paul Frick: Hofknicks |
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| Paul Frick, best known for being a member of the group Brandt Brauer Frick and in 2020 also became a member of the legendary Tangerine Dream, presents his latest solo album 'Hofknicks' touching the genres of Dub, Bass, Techno, Ambient and Contemporary Classical, undergoing a multi-perspective reimagination of its origins ... reaching our ears as a hybrid play of reflections and colours. Find the album right here. |
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Lukas Ligeti: That Which Has Remained... |
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| The internationally renowned percussionist and composer Lukas Ligeti created a touching composition situated somewhere between performance art and concert, which remembers the history of Polish Jews in a unique way. Find the album right here. |
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Romed Hopfgartner: Pattern & Decoration |
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Colorful jazz in all its forms and possibilities: the new album by the versatile Austrian saxophonist Romed Hopfgartner!
Find the album right here. |
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VOS: Charlatan |
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Dark glowing contemporary jazz: the picture-rich and atmospheric debut album of the Austrian trio VOS!
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| Niccolò Castiglioni |
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Quilisma |
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“The succinctness of his work will first become fully apparent when it becomes possible to view the second half of the twentieth century from something more like a bird’s-eye view.” (Alessandro Solbiati)  |
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| Arvo Pärt |
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Anima |
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| Even Hector Berlioz praised the sound of the, then newly invented, saxophone, likening it to the “mysterious vibrations of a bell, long a er it has been struck.” |
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| Franui |
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Ennui |
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| This album about boredom takes the Musicbanda Franui, accompanied by actor Peter Simonischek, away from their daily routine, back to the days of their childhood, and straight on to the graveyard. |
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| Emily Stewart: Fair |
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| Franui & Florian Boesch: ALL WAS WELL AGAIN |
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| Coastline Paradox: Teaser |
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| SCENATET: Nice Guys Win Twice |
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| Martin Ptak: River Tales (Live) |
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| Lukas Lauermann: wir sind abgründe (ein brunnen der in den himmelschaut) |
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| Alma: Oeo (Teaser) |
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| iris electrum: of tigers and owls (no future, no past) |
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| Alma: Morocco |
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| CPSS: Bold |
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| Morton Feldman |
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Triadic Memories |
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| The sound as the center of being: grown from silence, Feldman reaches the bounds of comprehensibility in Triadic Memories. |
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| Vinko Globokar |
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Eisenberg |
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| Archaic sounds, songs as psychodramas, plowing through the depths and shallows of the orchestra: experience Globokar’s cosmos of original, intense music. |
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| York Höller |
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Meister und Margarita |
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| All hell is loose! York Höller managed to transfer Mikhail Bulgakov’s satire The Master and Margarita to the opera stage. |
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| Steven Stucky |
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| Listening to Contemporary Music |
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| A timeless keynote about finding a relationship to music of our times. |
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