|
|
 |
Lukas Lauermann
Interploitation |
| 1 |
|
FER |
01:31 |
 |
|
|
|
|
|
|
| 2 |
|
ENCE |
04:17 |
|
|
|
|
|
|
|
| 3 |
|
IN |
03:28 |
|
|
|
|
|
|
|
| 4 |
|
TER |
02:59 |
|
|
|
|
|
|
|
| 5 |
|
VEN |
03:58 |
|
|
|
|
|
|
|
| 6 |
|
TION |
05:22 |
|
|
|
|
|
|
|
| 7 |
|
EX |
03:17 |
|
|
|
|
|
|
|
| 8 |
|
PLOI |
03:54 |
|
|
|
|
|
|
|
| 9 |
|
TA |
06:49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 mp3 320 kB/s |
 HD wav |
|
|
|
|
Interploitation |
|
|
7,99 € | download |
|
|
|
|
| About Interploitation |
|
 |
|
The approach for the nine pieces presented in the new album “Interploitation” is to intervent radically and electronically in existing recordings in order to form new music: no recording of new treacks, but the further processing of existing ones.
The starting material for "Interploitation" are pieces that Lukas Lauermann composed as soundtrack for the documentary "Alpenland (AUT 2022)" by Robert Schabus. A central theme of the film is the effects and interactions of humans’ intervention into nature. In the musical process of "Interploitation" this aspect finds some correspondence in a figurative sense.
The polyphonic cello pieces of the film music were broken down into individual tracks, phrases and individual tones were cut out and transferred to samplers or tape. As a result, the original structure was completely dissolved and its musical parameters were intervened with the help of effect pedals: pitches, speed and timbre were changed, new artificial sound spaces were generated, elements were given a rhythm or repeatedly processed until artefacts emerged.
These sonic formations are independent and new instrumental pieces whose musical levels interact, just like the syllables of the three words that form the complicated basic structure and at the same time give the title:
INTERFERENCE - INTERVENTION - EXPLOITATION.
Interference can be intervention
intervention can be exploitation
exploitation is interference interference can be exploitation exploitation never is intervention intervention can be interference
interpolation
exploitation is always exploitation |
|
| About Lukas Lauermann |
|
 |
|
Open-mindedness and a passion for experimentation are the distinguishing feature of Lukas Lauermann’s (*1985) approaches to a great variety of projects. Whether in the studio or on stage, whether as a cellist and composer: he is unfailingly open to – and employs – unconventional methods. He collaborates with local Viennese artists such as Soap&Skin, Donauwellenreiter, André Heller, Der Nino aus Wien, Alicia Edelweiss, Saint Genet, Gelitin, the Hamburg-based rock band Tocotronic and many more.
All these artistic and personal experiences mingle with his classical training picked up at the University of Music and Performing Arts, Vienna, and the Anton Bruckner University in Linz – and come together in this solo project.
More about Lukas Lauermann here.
|
|
| ENCE |
|
|
|
|
|
|
|
|
