|
|
Darmstadt Internationale Ferienkurse 2000 |
1 |
|
Cruxification II (Johannes Kalitzke) - Kanon |
06:28 |
|
|
|
|
|
|
2 |
|
- Spiegelreflex |
05:50 |
|
|
|
|
|
|
3 |
|
- Schlachthaus |
04:02 |
|
|
|
|
|
|
4 |
|
- Fadenkreuz |
08:47 |
|
|
|
|
|
|
5 |
|
Philipp (Helmut Oehring) |
06:10 |
|
|
|
|
|
|
6 |
|
Pas ŕ pas (Misato Mochizuki) |
08:21 |
|
|
|
|
|
|
7 |
|
Traces de moments (Isabel Mundry) |
13:40 |
|
|
|
|
|
|
8 |
|
Invisible Cities (Alwynne Pritchard) |
07:39 |
|
|
|
|
|
|
9 |
|
as mo cheann (Jennifer Walshe) |
12:19 |
|
|
|
|
|
|
|
|
|
Total Time |
01:13:16 |
|
|
|
Digital Booklet - only with album |
|
|
|
|
1CD | Contemporary | Special Offers |
|
|
|
Recommendation |
|
|
|
All you need is air A songbird that stops singing must die. Georges Aperghis demands a similar degree of self-sacrifice of the performer of his 14 Récitations: |
|
|
|
|
Helmschrott breathes new life into an ancient, once-popular instrumental form, masterfully leading it in new musical directions with his 12 church sonatas. |
|
|
|
|
The Swiss musician and theater maker writes miniatures for »four well- prepared one-hand pianos«, supplying us with refreshingly light and clever pieces. |
|
|
|