|
|
 |
Darmstadt Internationale Ferienkurse 2000 |
| 1 |
|
Cruxification II (Johannes Kalitzke) - Kanon |
06:28 |
 |
|
|
|
|
|
|
| 2 |
|
- Spiegelreflex |
05:50 |
|
|
|
|
|
|
|
| 3 |
|
- Schlachthaus |
04:02 |
|
|
|
|
|
|
|
| 4 |
|
- Fadenkreuz |
08:47 |
|
|
|
|
|
|
|
| 5 |
|
Philipp (Helmut Oehring) |
06:10 |
|
|
|
|
|
|
|
| 6 |
|
Pas à pas (Misato Mochizuki) |
08:21 |
|
|
|
|
|
|
|
| 7 |
|
Traces de moments (Isabel Mundry) |
13:40 |
|
|
|
|
|
|
|
| 8 |
|
Invisible Cities (Alwynne Pritchard) |
07:39 |
|
|
|
|
|
|
|
| 9 |
|
as mo cheann (Jennifer Walshe) |
12:19 |
|
|
|
|
|
|
|
|
|
|
Total Time |
01:13:16 |
|
|
|
| Digital Booklet - only with album |
|
|
|
|
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
A miniature for every day, a movement for every month, a cycle for the whole year: Hauptweg und Nebenwege, a musical diary inspired by Paul Klee.  |
|
|
|
|
|
| “Music as a message without words from far away – from our inner selves”: Piano music as metaphor for the thrilling adventures of human existence. |
|
|
|
|
|
| Bill Hopkins died far too early. The very few compositions he left behind bear witness to individual beauty and melodious aesthesia. |
|
|
|
