|
|
 |
Darmstadt Internationale Ferienkurse 2000 |
| 1 |
|
Cruxification II (Johannes Kalitzke) - Kanon |
06:28 |
 |
|
|
|
|
|
|
| 2 |
|
- Spiegelreflex |
05:50 |
|
|
|
|
|
|
|
| 3 |
|
- Schlachthaus |
04:02 |
|
|
|
|
|
|
|
| 4 |
|
- Fadenkreuz |
08:47 |
|
|
|
|
|
|
|
| 5 |
|
Philipp (Helmut Oehring) |
06:10 |
|
|
|
|
|
|
|
| 6 |
|
Pas à pas (Misato Mochizuki) |
08:21 |
|
|
|
|
|
|
|
| 7 |
|
Traces de moments (Isabel Mundry) |
13:40 |
|
|
|
|
|
|
|
| 8 |
|
Invisible Cities (Alwynne Pritchard) |
07:39 |
|
|
|
|
|
|
|
| 9 |
|
as mo cheann (Jennifer Walshe) |
12:19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
Ekphrasis [Continuo II] (1996), a musical homage to American architects, and Coro (1975/76), Berios renewed quest for the folk song.  |
|
|
|
|
|
| Gerald Preinfalk’s personal audio storybook explains why the importance of the saxophone is not only to be found in the jazz club. |
|
|
|
|
|
| Contrasts, hard cuts and discrepancies: Stefan Wolpe’s chamber music offers the listener a stylistic variety that defies simple categorization. |
|
|
|
