|
 |
Darmstadt Internationale Ferienkurse 2000 |
1 |
|
Cruxification II (Johannes Kalitzke) - Kanon |
06:28 |
 |
|
 |
|
|
|
2 |
|
- Spiegelreflex |
05:50 |
 |
|
 |
|
|
|
3 |
|
- Schlachthaus |
04:02 |
 |
|
 |
|
|
|
4 |
|
- Fadenkreuz |
08:47 |
 |
|
 |
|
|
|
5 |
|
Philipp (Helmut Oehring) |
06:10 |
 |
|
 |
|
|
|
6 |
|
Pas à pas (Misato Mochizuki) |
08:21 |
 |
|
 |
|
|
|
7 |
|
Traces de moments (Isabel Mundry) |
13:40 |
 |
|
 |
|
|
|
8 |
|
Invisible Cities (Alwynne Pritchard) |
07:39 |
 |
|
 |
|
|
|
9 |
|
as mo cheann (Jennifer Walshe) |
12:19 |
 |
|
 |
|
|
|
 |
|
|
Total Time |
01:13:16 |
 |
 |
 |
Digital Booklet - only with album |
|
|
|
|
1CD | Contemporary | Special Offers |
|
 |
 |
Recommendation |
|
|
|
Elmar Lampson Fadenkreuze  |
 |
|
|
|
Polyharmony, Tone Cluster and Counter Rhythm: the three movements of Henry Cowell’s piano concer-to of 1928 (very nearly) reveal the essence of his oeuvre.  |
 |
|
|
|
In Mad Sweeney’s shadow: mass, piano trio, lieder cycle, wind quintet – for each of these "classic" formats Corcoran has created his own original, archaic sound.  |
 |
|
|