 |
|
Højsgaard, Erik (*1957)
C‘est la mer mêlée au soleil (1981, rev. 1982)
José, Antonio (1902–1936)
Sonata (1933)
Mamiya, Michio (*1929)
Sacred Spells (1979)
Tansman, Alexandre (1897–1986)
Variations sur un thème de Scriabine (1972)
Britten, Benjamin (1913–1976)
Nocturnal (1963)
Azusa Shimizu, guitar |
1CD | Contemporary | Instrumental | Solo | Special Offers |
|
|
|
|
|
|
For me, composition is a game’, says Kampe, ‘using objects which – from a distance – don’t seem to belong together.  |
|
|
|
|
|
| Carlos Heinrich Veerhoff’s Symphony No. 6 addresses great questions of the past century. Plus, he set the alphabet to music in his |
|
|
|
|
|
| “I do not put my trust in tech-niques but in listening with the inner ear.” Music that gets to the point is the utmost concern of Katia Tchemberdji whose ways to get there are manifold. |
|
|
