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Clemens Gadenstätter
Songbook # 0-11, akkor(d/t)anz |
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Songbook # 0-11 0 |
02:17 |
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Songbook # 0-11 1 |
02:34 |
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Songbook # 0-11 2 |
02:13 |
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Songbook # 0-11 3 |
02:04 |
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Songbook # 0-11 4 |
03:45 |
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Songbook # 0-11 5 |
04:09 |
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Songbook # 0-11 6 |
04:47 |
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Songbook # 0-11 7 |
04:07 |
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Songbook # 0-11 8 |
01:56 |
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Songbook # 0-11 9 |
02:41 |
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| 11 |
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Songbook # 0-11 10 |
03:47 |
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Songbook # 0-11 11 |
05:37 |
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akkor(d/t)anz 1 |
07:00 |
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akkor(d/t)anz 2 |
01:54 |
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akkor(d/t)anz 3 |
08:01 |
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akkor(d/t)anz 4 |
02:57 |
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akkor(d/t)anz 5 |
03:37 |
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akkor(d/t)anz 6 |
03:28 |
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akkor(d/t)anz 7 |
02:35 |
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| 20 |
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akkor(d/t)anz 8 |
03:28 |
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akkor(d/t)anz 9 |
02:28 |
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akkor(d/t)anz 10 |
02:43 |
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Total Time |
01:18:08 |
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| Digital Booklet - only with album |
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 mp3 320 kB/s |
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Songbook # 0-11, akkor(d/t)anz |
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9,99 € | download |
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| 01 |
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Songbook # 0-11 0 |
02:17 |
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| 02 |
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Songbook # 0-11 1 |
02:34 |
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| 03 |
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Songbook # 0-11 2 |
02:13 |
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| 04 |
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Songbook # 0-11 3 |
02:04 |
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| 05 |
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Songbook # 0-11 4 |
03:45 |
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| 06 |
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Songbook # 0-11 5 |
04:09 |
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| 07 |
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Songbook # 0-11 6 |
04:47 |
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| 08 |
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Songbook # 0-11 7 |
04:07 |
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| 09 |
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Songbook # 0-11 8 |
01:56 |
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| 10 |
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Songbook # 0-11 9 |
02:41 |
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| 11 |
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Songbook # 0-11 10 |
03:47 |
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| 12 |
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Songbook # 0-11 11 |
05:37 |
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| 13 |
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akkor(d/t)anz 1 |
07:00 |
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| 14 |
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akkor(d/t)anz 2 |
01:54 |
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| 15 |
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akkor(d/t)anz 3 |
08:01 |
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akkor(d/t)anz 4 |
02:57 |
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| 17 |
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akkor(d/t)anz 5 |
03:37 |
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| 18 |
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akkor(d/t)anz 6 |
03:28 |
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| 19 |
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akkor(d/t)anz 7 |
02:35 |
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| 20 |
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akkor(d/t)anz 8 |
03:28 |
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| 21 |
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akkor(d/t)anz 9 |
02:28 |
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| 22 |
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akkor(d/t)anz 10 |
02:43 |
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Total Time |
01:18:08 |
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| Digital Booklet - only with album |
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If you'd like to hear what might remain, and might survive, of the popular common musical property, these two works by the Salzburg composer Clemens Gadenstätter will give you some essential clues. akkor(d/t)anz"is based on the character of Romantic piano music manifested by monumental chords. The explosion of the chord is followed by pulsations derived from differentiated perceptions of its details. The "dance" of chords in accordance with new formations of the original chord demands an energetic input from the pianist that transforms into airiness. Songbook # 0 – 11"draws on the archaic nature of rock songs to create masterly rhythmic and cantabile instrumental developments: songs without words, whose melodious elements are explored into unheard-of dimensions. ( Reinhard Kager) The recordings on this CD also bear witness of the musicians' long and intensive study of Gadenstätter's works.
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1CD | Contemporary | PRIME colors Edition |
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| Recommendation |
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John-Edward Kelly and Bob Versteegh - a saxophone and a piano and some really good music...  |
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| The documentation of the Internationale Ferienkurse für Neue Musik Damrstadt 2002 by col legno |
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| Nono’s first work for orchestra, the Variazioni canoniche (1950) based on Schönberg, already comprises the bases of his late works, such as No hay caminos... (1987). |
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