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Clemens Gadenstätter Songbook # 0-11, akkor(d/t)anz |
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Songbook # 0-11 0 |
02:17 |
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Songbook # 0-11 1 |
02:34 |
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Songbook # 0-11 2 |
02:13 |
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Songbook # 0-11 3 |
02:04 |
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Songbook # 0-11 4 |
03:45 |
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| 06 |
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Songbook # 0-11 5 |
04:09 |
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Songbook # 0-11 6 |
04:47 |
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Songbook # 0-11 7 |
04:07 |
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Songbook # 0-11 8 |
01:56 |
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| 10 |
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Songbook # 0-11 9 |
02:41 |
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| 11 |
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Songbook # 0-11 10 |
03:47 |
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| 12 |
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Songbook # 0-11 11 |
05:37 |
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| 13 |
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akkor(d/t)anz 1 |
07:00 |
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| 14 |
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akkor(d/t)anz 2 |
01:54 |
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akkor(d/t)anz 3 |
08:01 |
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akkor(d/t)anz 4 |
02:57 |
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| 17 |
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akkor(d/t)anz 5 |
03:37 |
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| 18 |
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akkor(d/t)anz 6 |
03:28 |
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| 19 |
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akkor(d/t)anz 7 |
02:35 |
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| 20 |
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akkor(d/t)anz 8 |
03:28 |
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| 21 |
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akkor(d/t)anz 9 |
02:28 |
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| 22 |
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akkor(d/t)anz 10 |
02:43 |
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mp3 320 kB/s |
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Songbook # 0-11, akkor(d/t)anz |
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9,99 € | download |
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| 01 |
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Songbook # 0-11 0 |
02:17 |
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| 02 |
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Songbook # 0-11 1 |
02:34 |
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| 03 |
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Songbook # 0-11 2 |
02:13 |
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| 04 |
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Songbook # 0-11 3 |
02:04 |
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| 05 |
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Songbook # 0-11 4 |
03:45 |
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| 06 |
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Songbook # 0-11 5 |
04:09 |
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| 07 |
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Songbook # 0-11 6 |
04:47 |
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| 08 |
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Songbook # 0-11 7 |
04:07 |
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| 09 |
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Songbook # 0-11 8 |
01:56 |
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| 10 |
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Songbook # 0-11 9 |
02:41 |
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| 11 |
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Songbook # 0-11 10 |
03:47 |
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| 12 |
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Songbook # 0-11 11 |
05:37 |
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| 13 |
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akkor(d/t)anz 1 |
07:00 |
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| 14 |
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akkor(d/t)anz 2 |
01:54 |
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| 15 |
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akkor(d/t)anz 3 |
08:01 |
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| 16 |
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akkor(d/t)anz 4 |
02:57 |
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| 17 |
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akkor(d/t)anz 5 |
03:37 |
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| 18 |
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akkor(d/t)anz 6 |
03:28 |
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| 19 |
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akkor(d/t)anz 7 |
02:35 |
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| 20 |
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akkor(d/t)anz 8 |
03:28 |
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| 21 |
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akkor(d/t)anz 9 |
02:28 |
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| 22 |
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akkor(d/t)anz 10 |
02:43 |
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Total Time |
01:18:08 |
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| Digital Booklet - only with album |
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If you'd like to hear what might remain, and might survive, of the popular common musical property, these two works by the Salzburg composer Clemens Gadenstätter will give you some essential clues. akkor(d/t)anz"is based on the character of Romantic piano music manifested by monumental chords. The explosion of the chord is followed by pulsations derived from differentiated perceptions of its details. The "dance" of chords in accordance with new formations of the original chord demands an energetic input from the pianist that transforms into airiness. Songbook # 0 – 11"draws on the archaic nature of rock songs to create masterly rhythmic and cantabile instrumental developments: songs without words, whose melodious elements are explored into unheard-of dimensions. ( Reinhard Kager) The recordings on this CD also bear witness of the musicians' long and intensive study of Gadenstätter's works.
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1CD | Contemporary | PRIME colors Edition |
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| Recommendation |
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Part two of col legno’s WIEN MODERN Edition is dedicated to Luciano Berio: Chemins I and IIb, Concerto and Formazioni, recorded live at WIEN MODERN Festival 2007.  |
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The waves of the Atlantic "beating upon the shores of the Canary Islands:" the Concierto Atlántico. Also on this album: La Luz del Aire, Latir Isleño and Soledad.  |
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“Music expresses that which cannot be said and on which it is impossible to be silent.” (Victor Hugo)  |
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