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Clemens Gadenstätter
Songbook # 0-11, akkor(d/t)anz |
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Songbook # 0-11 0 |
02:17 |
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Songbook # 0-11 1 |
02:34 |
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Songbook # 0-11 2 |
02:13 |
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Songbook # 0-11 3 |
02:04 |
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Songbook # 0-11 4 |
03:45 |
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Songbook # 0-11 5 |
04:09 |
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Songbook # 0-11 6 |
04:47 |
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Songbook # 0-11 7 |
04:07 |
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Songbook # 0-11 8 |
01:56 |
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Songbook # 0-11 9 |
02:41 |
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| 11 |
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Songbook # 0-11 10 |
03:47 |
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Songbook # 0-11 11 |
05:37 |
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akkor(d/t)anz 1 |
07:00 |
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akkor(d/t)anz 2 |
01:54 |
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akkor(d/t)anz 3 |
08:01 |
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akkor(d/t)anz 4 |
02:57 |
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akkor(d/t)anz 5 |
03:37 |
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akkor(d/t)anz 6 |
03:28 |
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akkor(d/t)anz 7 |
02:35 |
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| 20 |
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akkor(d/t)anz 8 |
03:28 |
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akkor(d/t)anz 9 |
02:28 |
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akkor(d/t)anz 10 |
02:43 |
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Total Time |
01:18:08 |
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| Digital Booklet - only with album |
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 mp3 320 kB/s |
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Songbook # 0-11, akkor(d/t)anz |
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9,99 € | download |
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| 01 |
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Songbook # 0-11 0 |
02:17 |
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| 02 |
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Songbook # 0-11 1 |
02:34 |
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| 03 |
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Songbook # 0-11 2 |
02:13 |
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| 04 |
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Songbook # 0-11 3 |
02:04 |
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| 05 |
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Songbook # 0-11 4 |
03:45 |
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| 06 |
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Songbook # 0-11 5 |
04:09 |
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| 07 |
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Songbook # 0-11 6 |
04:47 |
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| 08 |
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Songbook # 0-11 7 |
04:07 |
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| 09 |
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Songbook # 0-11 8 |
01:56 |
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| 10 |
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Songbook # 0-11 9 |
02:41 |
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| 11 |
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Songbook # 0-11 10 |
03:47 |
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| 12 |
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Songbook # 0-11 11 |
05:37 |
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| 13 |
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akkor(d/t)anz 1 |
07:00 |
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| 14 |
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akkor(d/t)anz 2 |
01:54 |
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| 15 |
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akkor(d/t)anz 3 |
08:01 |
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akkor(d/t)anz 4 |
02:57 |
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| 17 |
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akkor(d/t)anz 5 |
03:37 |
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| 18 |
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akkor(d/t)anz 6 |
03:28 |
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| 19 |
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akkor(d/t)anz 7 |
02:35 |
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| 20 |
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akkor(d/t)anz 8 |
03:28 |
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| 21 |
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akkor(d/t)anz 9 |
02:28 |
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| 22 |
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akkor(d/t)anz 10 |
02:43 |
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Total Time |
01:18:08 |
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| Digital Booklet - only with album |
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If you'd like to hear what might remain, and might survive, of the popular common musical property, these two works by the Salzburg composer Clemens Gadenstätter will give you some essential clues. akkor(d/t)anz"is based on the character of Romantic piano music manifested by monumental chords. The explosion of the chord is followed by pulsations derived from differentiated perceptions of its details. The "dance" of chords in accordance with new formations of the original chord demands an energetic input from the pianist that transforms into airiness. Songbook # 0 – 11"draws on the archaic nature of rock songs to create masterly rhythmic and cantabile instrumental developments: songs without words, whose melodious elements are explored into unheard-of dimensions. ( Reinhard Kager) The recordings on this CD also bear witness of the musicians' long and intensive study of Gadenstätter's works.
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1CD | Contemporary | PRIME colors Edition |
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| Recommendation |
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Death and the Maiden II –
Olga Neuwirth’s and Elfriede Jelinek’s inspired collaboration of 2000 is now available on CD  |
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| Lauermann presents his solo debut, and invites us to listen into the “the great spaces all around” – spaces of memory, chambers of sensation, places of yearning. |
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| And: The feast is in full progress – Judgment Day as an intense cello concerto. And as an encore: Ten Preludes for cello solo. |
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