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Wolfgang Mitterer - Stop playing
Price: € 11,99
WWE 1CD 20296

Wolfgang Mitterer
Stop playing

1
grand jeu 01 04:59 Share
2
stop playing 01 12:57 Share
3
gran jeu 02 04:31 Share
4
timpani 03:56 Share
5
stop playing 02 15:43 Share
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grand jeu 03 04:16 Share
7
time doesn´t play a roll 07:07 Share
Total Time 53:29
Digital Booklet - only with album
The organ is a machine,
and Wolfgang Mitterer certainly knows how to operate machines. Quite early on his passion for this complex instrument got hooked up to the manifold possibilities available in a digital studio setting; so, meanwhile the Austrian composer has become both: a much admired contemporary organist with a penchant for Bach, and an internationally sought-after creator of electroacoustic compositions.
In this production he makes do without electronic sound materials, though not without the possibilities of computer editing. The improvised solo pieces were recorded in three different venues using three different organs; then parts of the recordings were combined with each other, and virtual spaces added. Thus the analogous machines in the churches are pushed to the last extreme, and come out of the electronic editing process sounding the way an organ of the 21st century might sound, if the instrument as such hadn’t been left the way it was for centuries.

Wolfgang Mitterer has outlined the various playing techniques used in the compositions in the booklet.
Wolfgang Mitterer
In »massacre« Wolfgang Mitterer presents us with a passionate analysis of a timeless threesome: power, religion and violence. An opera for five singers, nine musical instruments and electronics.

1CD

Instrumental

Solo

Contemporary

Recommendation
The exceptionally gifted organ-ist, composer and specialist in electronics Wolfgang Mitterer has been thinking about pop music: Sopop, featuring Birgit Minichmayr! 
Good news from your mailbox! Mitterer makes music on the subject of ambient in an electronic environment. Two amazing CDs with radical backgrounds. 
In »massacre« Wolfgang Mitterer presents us with a passionate analysis of a timeless threesome: power, religion and violence. An opera for five singers, nine musical instruments and electronics. 
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