 |
| About the album |
|
| The term “clavis metrica” traditionally refers to a catalogue of poetic meters, poems written explicitly to explore shifting verse forms and demonstrate the virtuosity of the author. Inspired by ancient Icelandic poetry, Guðmundur Steinn Gunnarsson has composed his own musical clavis metrica. The meter provides a flexible canvas for musical composition that can withstand many variations in musical rhythm and melody, while still remaining recognisable to the trained poetic ear. |
|
| Guðmundur Steinn Gunnarsson |
|
 |
|
| Guðmundur Steinn Gunnarsson is one of the pioneers of animated notation. His work is based on an intuitive exploration of organic rhythms that are not tied to a metronomic meter and that push the boundaries of traditional rhythmic concepts and notation. |
|
| Ensemble Adapter |
|
Ensemble Adapter is an experimental music group based in Berlin. Driven by its founders Matthias Engler (percussion) and Gunnhildur Einarsdóttir (harp), it focuses on collaborative work with partners from various artistic backgrounds worldwide.
Kristjana Helgadóttir, flute and rattles
Ingólfur Vilhjálmsson, clarinet in Bb and rattles
Gunnhildur Einarsdóttir, harp and samba flute
Matthias Engler, percussion, harmonica and various whistles |
|
|
|
| Recommendation |
|
|
|
|
A world of sound between creative primal force and intimate memory. Restlessly exploring, Luca Francesconi’s music penetrates deep into the heart of sound.  |
|
|
|
|
|
| „vom Jandln zum Ernst“: an illusion of a live performance with Ernst Jandl, Christian Muthspiel and the jazz orchestra ORJAZZTRA VIENNA. |
|
|
|
|
|
| Exploring Gustav Mahler and Carl Loewe. With arrangements and post-compositions by Markus Kraler, Andreas Schett and Howard Arman. |
|
|
