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Luigi Nono - Io & Das atmende Klarsein
Price: € 30,00
WWE 2SACD 20600

Luigi Nono
Io & Das atmende Klarsein

1
chorus, bass flute, contrabass clarinet 18:51 Share
2
bass flute, contrabass clarinet 02:07 Share
3
solo soprano, women's chorus 07:50 Share
4
solo soprano, bass flute 03:18 Share
5
chorus 07:30 Share
6
two solo sopranos, bass flute, contrabass clarinet 05:12 Share
7
chorus 14:05 Share
8
bass flute, contrabass clarinet 05:12 Share
9
chorus 05:47 Share
10
chorus (nach spätem Gewitter ... das atmende Klarsein ...) 01:32 Share
11
bass flute 05:40 Share
12
chorus (Krena) 08:06 Share
13
bass flute 03:46 Share
14
chorus (Ascolta) 06:36 Share
15
bass flute 02:41 Share
16
chorus (Hier sein) 04:05 Share
17
bass flute 06:08 Share
Total Time 01:48:26
Digital Booklet - only with album
"[Katrin 1] Immersion into individual sounds extremely differentiated in terms of tone color and dynamics, as well as the envisaged spatial effect of the overall sound are among the most fascinating characteristics of the late works by Luigi Nono (1924-1990). It was thanks to him that the nearly unlimited technical possibilities offered by the Freiburger Experimentalstudio became known to an audience far beyond a small circle of experts. And, in turn, it was these very possibilities that enabled the creation of this body of Nono's 'late work,' which now is to be considered a kind of legacy left by the former avant-garde composer to a music of the future. This excellent and exemplary recording by the Freiburg ensemble so well acquainted with Nono's oeuvre, also permits us to establish connections with Nono's early works, making it seem advisable to strongly relativize the assumption that a 'break' had occurred at some point in Nono's development. …

2SACD

Contemporary

Salzburger Festspiele

PRIME colors Edition

Recommendation
Quando stanno morendo (1982) and other Vocal works Neue Vocalsolisten Stuttgart re-release, finally available again! 
In 1993, the Salzburg Festival presented Nono as a sound seeker in their series "Zeitfluss", focusing on Das atmende Klarsein (1980/81). 
Nono’s first work for orchestra, the Variazioni canoniche (1950) based on Schönberg, already comprises the bases of his late works, such as No hay caminos... (1987). 
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