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Ladislav Kubik
chamber works 1 |
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Streichquartett Nr. 1 |
08:01 |
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| 2 |
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Zwei Episoden für Baßklarinette, Klavier und Perkussion - 1. Episode |
03:41 |
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| 3 |
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- 2. Episode |
02:49 |
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| 4 |
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Invention für Klavier |
05:41 |
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| 5 |
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Zwei Inventionen für Flöte und Gittare - 1. Invention |
03:04 |
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| 6 |
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- 2. Invention |
03:21 |
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| 7 |
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Trio für Violine, Cello und Klavier |
13:05 |
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| 8 |
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Worte - Drei Lieder für Mezzosopran und Orchester - 1. Worte |
03:15 |
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| 9 |
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- 2. Poesie |
04:09 |
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| 10 |
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- 3. Still |
04:47 |
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| 11 |
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Divertimento für Bläseroktett - I. |
04:45 |
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| 12 |
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- II. |
02:47 |
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| 13 |
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- III. |
01:50 |
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| 14 |
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- IV. |
07:33 |
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Total Time |
01:08:48 |
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| Digital Booklet - only with album |
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1CD | Contemporary | Special Offers |
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| Recommendation |
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A desert island CD! Or a bathtub CD, at any rate: Nothing is real, compiled and exceptionally performed by Marino Formenti.  |
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| In 1951, after numerous solo compositions, Cage tried his hand at a piano concerto, naturally for the prepared variety. And in marked contrast to the concerto: Sixty-Eight. |
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| “The Best Version of Myself” is composed music without a score: an energetic-performative outburst. |
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