|
|
 |
| 1 |
|
Streichquartett Nr. 2 1. Satz |
06:29 |
 |
|
|
|
|
|
|
| 2 |
|
Streichquartett Nr. 2 2. Satz |
13:43 |
|
|
|
|
|
|
|
| 3 |
|
Helleluja bewegt |
13:15 |
|
|
|
|
|
|
|
| 4 |
|
Vier Stücke für Violine und Klavier - I fließend |
04:22 |
|
|
|
|
|
|
|
| 5 |
|
II bewegt- unerbittlich, energisch |
01:23 |
|
|
|
|
|
|
|
| 6 |
|
III leicht bewegt (grazioso) |
02:32 |
|
|
|
|
|
|
|
| 7 |
|
IV schnell - sehr schnell |
01:04 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Streichquartett Nr. 2 (1992–1998)
Quatuor Danel
Halleluja (1996)
Wolfgang Sellner, violoncello
Vier Stücke für Violine und Klavier (1988)
Marc Danel, violin
Jan Michiels, piano
|
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
“Its eyes are wide open, its mouth is agape, and its wings are stretched out. The angel of history must look like this. It has turned its face toward the past…“  |
|
|
|
|
|
| The conrabass is the stepchild of the string section. Stefano Scodanibbio manages to produce sounds -- new and unheard so far! |
|
|
|
|
|
| “Bach is a complete cosmos for sceptics, Bach is the experience of in nity for mortals.” (Armin Thurnher) |
|
|
|
