 |
|
| It is the eternal questions that Nikolaus Brass mainly concerns himself with in his compositional work: the question of existence, of being, and first and foremost of all possible intermediate stages at the edge of what is conceivable, of what can just be grasped. In VOID (1999) he investigates the feeling left by loss, "structural empty spaces that bear the construction of sound while challenging it at the same time." For a due (2003), Brass has borrowed short captions from Yashushi Inoue's novel My mother; the last part is entitled memoria – "in 'commemoration' and 'consideration' of the speaking speechlessness of music." In TRIO (1987-1991) he works with fragmented shapes that spread through space, splitting the "progression of time" into "states of 'still now – then not anymore'." |
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
“Windspiel” by the Dandelion Quintett is a mixture between harmonic and programmatic masterpieces for woodwinds and forward-looking opening.  |
|
|
|
|
|
| John-Edward Kelly and Bob Versteegh - a saxophone and a piano and some really good music... |
|
|
|
|
|
| From poetry to drama – Nono’s progress towards a "new modernism:" Das atmende Klarsein and Io, frammento da Prometeo in exemplary recordings. Finally available! |
|
|
