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One can hardly imagine a more striking description of the anticipated disappearance of these ice giants: Glaciers in Extinction is a warning by sounds. Fabbriciani’s deep, grieving sounds tell not only of the catastrophe to come but of the unfathomable origin of existence itself. The sound of nature revealed, and not for glaciologists only: This concerns all of us.
The famous Italian flautist and, with his hyperbass flute, much sought-after interpreter of New Music has himself composed powerful and affecting music. Enchanting, breezy harmonics and the deepest staccato set the stage for a magical, secret world of sound, which we are reluctant to leave. |
1CD | Instrumental | Solo | Contemporary | PRIME colors Edition |
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John Cage never came to a standstill: until the very end he kept on searching for (and finding) hitherto unexplored new forms of artistic expression.  |
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| A miniature for every day, a movement for every month, a cycle for the whole year: Hauptweg und Nebenwege, a musical diary inspired by Paul Klee. |
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| Compact acoustic events in Vento d’ombra are pitted against the sharp contrasts of the Due notturni crudeli and the subtle art of the dramatic persiflage in Lohengrin. |
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