|
|
 |
Franz Koglmann
Nocturnal Walks |
| 01 |
|
Allegro molto |
05:54 |
 |
|
|
|
|
|
|
| 02 |
|
Andante siciliano |
05:07 |
|
|
|
|
|
|
|
| 03 |
|
Finale: presto |
02:56 |
|
|
|
|
|
|
|
| 04 |
|
Franz Koglmann, Nocturnal Walks- I |
03:21 |
|
|
|
|
|
|
|
| 05 |
|
II |
03:05 |
|
|
|
|
|
|
|
| 06 |
|
III |
04:33 |
|
|
|
|
|
|
|
| 07 |
|
IV |
05:42 |
|
|
|
|
|
|
|
| 08 |
|
V |
02:42 |
|
|
|
|
|
|
|
| 09 |
|
VI |
04:59 |
|
|
|
|
|
|
|
| 10 |
|
VII |
06:28 |
|
|
|
|
|
|
|
| 11 |
|
VIII |
05:53 |
|
|
|
|
|
|
|
|
|
|
Total Time |
50:40 |
|
|
|
| Digital Booklet - only with album |
|
|
|
|
|
|
 mp3 320 kB/s |
|
|
|
|
Nocturnal Walks |
|
|
9,99 € | download |
|
|
| 01 |
|
Allegro molto |
05:54 |
 |
|
|
|
|
| 02 |
|
Andante siciliano |
05:07 |
|
|
|
|
|
| 03 |
|
Finale: presto |
02:56 |
|
|
|
|
|
| 04 |
|
Franz Koglmann, Nocturnal Walks- I |
03:21 |
|
|
|
|
|
| 05 |
|
II |
03:05 |
|
|
|
|
|
| 06 |
|
III |
04:33 |
|
|
|
|
|
| 07 |
|
IV |
05:42 |
|
|
|
|
|
| 08 |
|
V |
02:42 |
|
|
|
|
|
| 09 |
|
VI |
04:59 |
|
|
|
|
|
| 10 |
|
VII |
06:28 |
|
|
|
|
|
| 11 |
|
VIII |
05:53 |
|
|
|
|
|
|
|
Total Time |
50:40 |
|
|
|
| Digital Booklet - only with album |
|
|
|
|
|
|
Incidentally, "Nocturnal Walks. A twilight of thoughts inspired by motifs of Joseph Haydn, featuring the original voice of E.M. Cioran" is 'just' the Austrian contribution to the European Capital of Culture 2007, Sibiu/Hermannstadt in Romania. But Franz Koglmann manages not only to create real jazz on the basis of Haydn's "Symphony of Sibiu" (named in honor of Sibiu because a copy of the score was discovered there) but moreover to transplant E.M. Cioran there in a logical context, so to speak as a musing stroller. Cioran, the philosopher, caustic essayist and cultural critic, was born near Sibiu – another reason for Koglmann to take him on his walks and let him speak for himself. And speaking for himself in a Falter interview, Koglmann says: "I have used all themes of Haydn's 'Symphony of Sibiu', some in their original form, some as variations, with different harmonies or rhythms. Moreover, I have used abrupt cuts, also for the purpose of emphasizing the ambivalences of Cioran, who was on the one hand an absolute skeptic but on the other hand really quite a cheerful person, not at all melancholy." ...
... In Nocturnal Walks, the jazz soloist Koglmann also appears as a trumpet and flugelhorn player; accordion and vibraphone are also among the party, "to perhaps give the whole thing some sort of rancid quality." (Koglmann) The first release of col legno's "creations" series unites the original, namely Haydn's symphony, in a wonderfully vivacious, light-footed new recording by Gustav Kuhn and his Haydn Orchestra of Bolzano and Trento, with Koglmann's extremely original and slightly melancholy new creation, in an excellent performance by the exxj ensemble xx. jahrhundert under Peter Burwik's direction. |
1CD | Special | Contemporary | PRIME colors Edition |
|
|
|
| Recommendation |
|
|
|
|
Gustav Kuhn’s celebrated Parsifal, recorded live at the Passion Festival Hall Erl in the summer of 2007, with the Chorus and Orchestra of the Tyrolean Festival!  |
|
|
|
|
|
| Thick woven music, whose apparently static exterior has a complex, seething interior! Charles Uzor’s extraordinary piano concert Ricercare. |
|
|
|
|
|
| Firmly rooted in traditional folk music from Austria yet branching out in every possible musical direction, Alma make music that comes straight from the soul and goes directly your legs. |
|
|
|
