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Christian Muthspiel & ORJAZZTRA VIENNA & die Stimme von Ernst Jandl
vom Jandln zum Ernst |
| 1.01 |
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vorlautes vorwort |
01:16 |
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| 1.02 |
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him hanfang war das wort |
02:15 |
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| 1.03 |
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hier ist es kalt |
03:50 |
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| 1.04 |
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erziehung, katholisch |
01:14 |
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| 1.05 |
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jee – suss |
05:12 |
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| 1.06 |
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zweierlei handzeichen |
00:32 |
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| 1.07 |
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de easchdn zen joa |
06:47 |
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| 1.08 |
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liegen, bei dir |
07:23 |
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| 1.09 |
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der takt des drummers |
03:34 |
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| 1.10 |
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jazz me if you can |
03:04 |
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| 2.01 |
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talk |
05:26 |
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| 2.02 |
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fang eine liebe amsel ein |
04:47 |
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| 2.03 |
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sein das heuten tag |
08:45 |
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| 2.04 |
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lamento für e.j. |
06:04 |
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| 2.05 |
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im reich der toten |
03:11 |
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| 2.06 |
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zertretener mann blues |
05:49 |
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| 2.07 |
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wien: heldenplatz |
01:25 |
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| 2.08 |
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waun de frau |
05:45 |
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| 2.09 |
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drottl |
04:28 |
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| 2.10 |
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ssso |
00:22 |
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| 2.11 |
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demokratie |
03:34 |
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Total Time |
01:24:43 |
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| Digital Booklet - only with album |
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| Christian Muthspiel & ORJAZZTRA VIENNA & die Stimme von Ernst Jandl |
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| “The spoken poem only works when read aloud,” Ernst Jandl (1925–2000) once said, and he was without a doubt the finest performer of his own works. Be it sound poems, or poems in “run-down language,” or the four-line “stanzas” – it took Jandl’s interpretational skill to make them come truly alive. And lest this striking, instantly recognizable voice and Jandl’s poetry sink into oblivion, Christian Muthspiel went ahead and wrote “vom Jandln zum Ernst,” a piece tailor-made for the unorthodox instrumentation of his jazz orchestra ORJAZZTRA VIENNA, creating the illusion of a joint live performance with Jandl himself by introducing the poet’s voice, extracted from various recordings, as the main soloist. Muthspiel had played live on stage with Ernst Jandl back in the 1980s, and after the poet’s death performed the solo piece “für und mit ernst,” in which he duetted with Jandl’s voice, more than one hundred times. On the occasion of the 100th anniversary of Jandl’s birth, Muthspiel has distilled decades of enthusiasm for Jandl’s oeuvre (who was himself a keen lover of jazz) into a ninety-minute oratorio for a poet’s voice and seventeen jazz soloists. |
| Vocal | Lied | Orchestral | PRIME colors Edition | Jazz |
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| Recommendation |
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Exploring Gustav Mahler and Carl Loewe. With arrangements and post-compositions by Markus Kraler, Andreas Schett and Howard Arman.  |
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| Quiet Riots - the "debut album" as duo of Peter Herbert & Wolfgang Mitterer |
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