|
 |
Rudolf Kelterborn Changements |
1 |
|
Changements pour grand orchestre |
11:43 |
 |
|
 |
|
|
|
2 |
|
Ensemble-Buch I - Sonata I |
04:36 |
 |
|
 |
|
|
|
3 |
|
- Was soll ich antworten |
03:29 |
 |
|
 |
|
|
|
4 |
|
- Lichtmusik I: Gegenlicht in den Bergen |
01:46 |
 |
|
 |
|
|
|
5 |
|
- Nachtstück I |
03:22 |
 |
|
 |
|
|
|
6 |
|
- Lichtmusik II: Sonnenaufgang |
03:37 |
 |
|
 |
|
|
|
7 |
|
- Nachtstück II |
03:13 |
 |
|
 |
|
|
|
8 |
|
- Lichtmusik III: Mittagstief |
02:54 |
 |
|
 |
|
|
|
9 |
|
- Alles Gold |
01:50 |
 |
|
 |
|
|
|
10 |
|
- Sonata II (Hommage à E.B.) |
03:34 |
 |
|
 |
|
|
|
11 |
|
Escursioni - I |
04:22 |
 |
|
 |
|
|
|
12 |
|
- II |
03:22 |
 |
|
 |
|
|
|
13 |
|
- III |
03:47 |
 |
|
 |
|
|
|
14 |
|
Fantasia a tre |
11:37 |
 |
|
 |
|
|
|
15 |
|
Variationen für Oboe und Streichorchester |
10:17 |
 |
|
 |
|
|
|
 |
|
|
Total Time |
01:13:29 |
 |
 |
 |
Digital Booklet - only with album |
|
|
|
|
1CD | Contemporary | Special Offers |
|
 |
 |
Recommendation |
|
|
|
Using a Mozart Quintet as a starting point, Moritz Eggert designs a new, contemporary world of sound: »Amadé Amadé«. A musical exorcism – and a col legno production made to measure!  |
 |
|
|
|
Even before he became Arnold Schönberg’s student, Alban Berg wrote some 40 Jugendlieder, ’early lieder’: Romantic poetry as mirrored by the Fin de Siècle.  |
 |
|
|
|
Ultimately taking shape in a multitude of aesthetic blueprints, in which many different musical approaches can be realized.  |
 |
|
|