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Rudolf Kelterborn
Changements |
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Changements pour grand orchestre |
11:43 |
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| 2 |
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Ensemble-Buch I - Sonata I |
04:36 |
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| 3 |
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- Was soll ich antworten |
03:29 |
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| 4 |
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- Lichtmusik I: Gegenlicht in den Bergen |
01:46 |
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| 5 |
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- Nachtstück I |
03:22 |
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| 6 |
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- Lichtmusik II: Sonnenaufgang |
03:37 |
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| 7 |
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- Nachtstück II |
03:13 |
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| 8 |
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- Lichtmusik III: Mittagstief |
02:54 |
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| 9 |
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- Alles Gold |
01:50 |
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| 10 |
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- Sonata II (Hommage à E.B.) |
03:34 |
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| 11 |
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Escursioni - I |
04:22 |
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| 12 |
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- II |
03:22 |
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| 13 |
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- III |
03:47 |
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| 14 |
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Fantasia a tre |
11:37 |
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| 15 |
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Variationen für Oboe und Streichorchester |
10:17 |
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1CD | Contemporary | Special Offers |
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| Recommendation |
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Somewhere between Alex- ander Rodchenko, Jackson Pollock and Charles Ives: Marino Formenti’s piano studies based on an instal- lation by Florian Pumhösl as a listening experience!  |
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Death and the Maiden II –
Olga Neuwirth’s and Elfriede Jelinek’s inspired collaboration of 2000 is now available on CD |
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| “Its eyes are wide open, its mouth is agape, and its wings are stretched out. The angel of history must look like this. It has turned its face toward the past…“ |
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