D E
Login
Facebook YouTube Spotify
Sofia Gubaidulina - And: The feast is in full progress
Price: € 9,99
WWE 1CD 31881

Sofia Gubaidulina
And: The feast is in full progress

1
Y. la fiesta esta en pleno apogeo - And: The feast is in full progress 25:39 Share
2
Diez Preludios - Ten Preludes for cello - Prelude 1: Staccato - legato 01:15 Share
3
- Prelude 2: Legato - staccato 02:07 Share
4
- Prelude 3: Con sordino - senza sordino 02:24 Share
5
- Prelude 4 Ricochet 01:38 Share
6
- Prelude 5: Sul ponticello - ordinario - sul tasto 03:31 Share
7
- Prelude 6: Flagioletti 02:17 Share
8
- Prelude 7: Alt taco - da punta d´arco 01:14 Share
9
- Prelude 8: Arco - pizzicato 01:26 Share
10
- Prelude 9: Pizzicato - arco 01:56 Share
11
- Prelude 10: Senza arco 02:52 Share
Total Time 46:19
Digital Booklet - only with album
The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed into music by the composer with gripping, immediate, expressive force, free of graphic patterns. A moment of glory not for Gubaidulina only, but for David Geringas on cello, too. And as a bonus on this CD: Diez Preludios –Ten Preludes for Cello, in Vladimir Tonkha’s equally inspired interpretation. Both cellists are the dedicatees of the works they perform.


Jukka-Pekka Saraste (Cond.)
David Geringas (Cello)
Finnish Radio Symphony Orchestra
Culture House, Helsinki, Finland 1994  

Vladimir Tinkha (Cello)
Anthroposophisches Zentrum, Wilhelmshöhe 1994

1CD

Contemporary

Special Offers

Recommendation
Nono’s first work for orchestra, the Variazioni canoniche (1950) based on Schönberg, already comprises the bases of his late works, such as No hay caminos... (1987). 
Part two of col legno’s WIEN MODERN Edition is dedicated to Luciano Berio: Chemins I and IIb, Concerto and Formazioni, recorded live at WIEN MODERN Festival 2007. 
[...] Hudry researches very early on, a form of vigorous interaction between the performer and the machine – an axis of his compositional output. 
Newsletter subscription
Home
Shop
Artists
Schedule
Archive
About
Distribution
x