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The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed into music by the composer with gripping, immediate, expressive force, free of graphic patterns. A moment of glory not for Gubaidulina only, but for David Geringas on cello, too. And as a bonus on this CD: Diez Preludios –Ten Preludes for Cello, in Vladimir Tonkha’s equally inspired interpretation. Both cellists are the dedicatees of the works they perform.
Jukka-Pekka Saraste (Cond.)
David Geringas (Cello)
Finnish Radio Symphony Orchestra
Culture House, Helsinki, Finland 1994
Vladimir Tinkha (Cello)
Anthroposophisches Zentrum, Wilhelmshöhe 1994
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1CD | Contemporary | Special Offers |
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| Recommendation |
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“To experience all shades of the sonic landscape”: Hosoka-wa combines Noh music, Tibetan Shomyo, and Far Eastern philosophy of sound into new sound experiences.  |
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| In 1951, after numerous solo compositions, Cage tried his hand at a piano concerto, naturally for the prepared variety. And in marked contrast to the concerto: Sixty-Eight. |
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| Compact acoustic events in Vento d’ombra are pitted against the sharp contrasts of the Due notturni crudeli and the subtle art of the dramatic persiflage in Lohengrin. |
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