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The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed into music by the composer with gripping, immediate, expressive force, free of graphic patterns. A moment of glory not for Gubaidulina only, but for David Geringas on cello, too. And as a bonus on this CD: Diez Preludios –Ten Preludes for Cello, in Vladimir Tonkha’s equally inspired interpretation. Both cellists are the dedicatees of the works they perform.
Jukka-Pekka Saraste (Cond.)
David Geringas (Cello)
Finnish Radio Symphony Orchestra
Culture House, Helsinki, Finland 1994
Vladimir Tinkha (Cello)
Anthroposophisches Zentrum, Wilhelmshöhe 1994
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1CD | Contemporary | Special Offers |
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| Recommendation |
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Music and carpets? Well, the latter’s slightly irregular patterns certainly inspired Morton Feldman to write his Crippled Symmetry (1983).  |
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| New Saxophone Chamber Music interpreted by John-Edward Kelly and Bob Versteegh. |
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| Resonance and motion take center stage in Allegro Sostenuto. Lachenmann’s “idea of a musique concrète” bears remarkable fruit in Pression and Dal niente. |
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