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| The instrumentation of the Haydn Orchestra of Bolzano and Trento corresponds to the proportions Schumann had in mind for his compositions. Gustav Kuhn, the man conducting the orchestra thus ideally suited for this production, is an absolute Schumann expert. The recording technology enhances the music through its clear and transparent sound. After Beethoven’s nine and Brahms’ four symphonies, which have met with such delightful international response, this production is our latest effort in transporting contemporary music of the past into the present in a brilliant new interpretation. |
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Haydn Orchestra of Bolzano and Trento
Gustav Kuhn, conductor
Recording Date January 21 – 26, 2010 (Symphony No. 1), February 19 – 24, 2010 (Symphony No. 2), March 12 – 17, 2010 (Symphony No. 3), April 16 – 20, 2010 (Symphony No. 4)
Recording Location Auditorium Haydn, Bolzano (I)
Recording, Mixing and Mastering Reinhard Geller, www.die-tonaufnahme.de
with a text by Walter Müller
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2CD | Orchestral | Classics | Haydn Orchester von Bozen und Trient |
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"Only one face": Following their price-winnig recording Schubertlieder, the Tyrolean Musicbanda Franui have now taken up Johannes Brahms’ German Folk Songs.  |
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| Fandango, sonatas and other piano pieces: The Italian pianist Davide Cabassi conjures up the music of the Spanish monk with sweeping grandezza! |
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| Even before he became Arnold Schönberg’s student, Alban Berg wrote some 40 Jugendlieder, ’early lieder’: Romantic poetry as mirrored by the Fin de Siècle. |
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